Hidden Shoal News
Summon the Birds Sign to Hidden Shoal

Singer-songwriter Jonathan Shaw and bassist/producer Peter Woodlands began the band in 2007, with Kris Arrowsmith joining on drums, and guitarist Tim Clarke seduced into the fray after the dissolution of instrumental shoegaze band Bury the Sound. Their debut album 48, based on the I Ching, saw release in 2012, closely followed by single ‘Digger’ in 2013. The seeds of second album Blood Love were sown back in 2009, with song sketches dreamt up by Shaw massaged into shape in the band’s Hurstbridge rehearsal room. In 2014, bassist Drew Corby replaced Peter Woodlands, and the recording of Blood Love began in earnest.
Summon the Birds’ second album Blood Love will see release late 2017, preceded by single ‘London Tap Water’ on 7th August. The album was recorded by producer and engineer Tim Johnston (Nick Cave & The Bad Seeds, The Dandy Warhols, The Drones). Read more about Summon the Birds here.
Slow Dancing Society’s “Lilac Lullabies” EP Out Now!

Lilac Lullabies is a concise, five-song serving of SDS’s sensual, free-flowing ambient. It revisits the atmospheric feel of earlier albums The Sound of Lights When Dim, The Slow and Steady Winter and Priest Lake Circa ’88, with a delicious sense of space and restraint. Centrepiece ‘A Quiet Storm’ reaches heavenwards with its Gilmour-esque guitar lines, while ‘Before We Wake’ is a meditation on weightlessness, with gently pulsing bass and an ephemeral shroud of synth. And ‘The Dusty Morning Light’ brings the EP to a reflective close with its beautifully wistful Mellotron line.
Slow Dancing Society is Washington-based producer and musician Drew Sullivan, who has released 7 albums on Hidden Shoal over the last 11 years. As with Brian Eno’s finest moments and David Sylvian’s ambient explorations, Slow Dancing Society’s music manages to dissolve its temporal markers and speak about moments removed from time. It talks to the delicious flaws of memory and feeling whilst never sullying itself with literality or simple documentation.
New Battlestations Preview!

While 2015’s The Extent of Damage felt like a high-definition camera roving across a ruined world, listening to Vixit feels like witnessing an intimidating new dawn, barely comprehensible from a merely human perspective. Massive and awe-inspiring, this three-part composition is breathtaking in scope and stunning in execution. Synthesizers, orchestra and choirs interweave into a billowing tapestry of glorious sound that completely envelopes the listener.
Brief centrepiece ‘II’ is the calm at the eye of the storm, a ruminative piano piece that brings a sense of intimacy to a suite of music that is all about challenging the listener’s sense of scale. To either side, massive tracks ‘I’ and ‘III’ stretch out into multi-part compositions that are as deep and wide as any orchestral piece, tempered with a sensibility akin to ‘70s kosmische music and the most progressive neo-classical ambient.
New Slow Dancing Society Single and EP Pre-Order

Lilac Lullabies is a concise, five-song serving of SDS’s sensual, free-flowing ambient. It revisits the atmospheric feel of earlier albums The Sound of Lights When Dim, The Slow and Steady Winter and Priest Lake Circa ’88, with a delicious sense of space and restraint. Centrepiece ‘A Quiet Storm’ reaches heavenwards with its Gilmour-esque guitar lines, while ‘Before We Wake’ is a meditation on weightlessness, with gently pulsing bass and an ephemeral shroud of synth. And ‘The Dusty Morning Light’ brings the EP to a reflective close with its beautifully wistful Mellotron line.
Slow Dancing Society is Washington-based producer and musician Drew Sullivan, who has released 7 albums on Hidden Shoal over the last 11 years. As with Brian Eno’s finest moments and David Sylvian’s ambient explorations, Slow Dancing Society’s music manages to dissolve its temporal markers and speak about moments removed from time. It talks to the delicious flaws of memory and feeling whilst never sullying itself with literality or simple documentation.
Markus Mehr’s “Dyschronia” Out Now!

“pushing his emotionally-charged sonic sculptures into much more dangerous and unpredictable territory… Totally mesmerizing and beautiful.” – Decoder Magazine on Binary Rooms
Dyschronia is a complex, musically exhilarating exploration of our modern perception of time. As our temporal relationships have become unmoored from natural rhythms, we experience profound disconnection and distortion, leaving us disoriented and disturbed. Mehr crafted the seven pieces over the course of more than five years, resulting in a dizzying collage of sound that both conveys and charts a path through digital consciousness.
Dyschronia simultaneously employs and dissolves electronic markers, creating a heady and at times groundless ride. As with all Mehr’s work, the album is challenging yet incredibly satisfying, shot through with moments of quite staggering beauty, such as the haunting acoustic guitar melody in ‘Dyschronia 4’. At the album’s conclusion, the sample “Why didn’t you destroy the tapes?” speaks to our inability to escape surveillance, our very lives enmeshed in the technology we have created in our attempts at liberation.
Kramies Live on Balcony TV, Ireland

In the meanwhile check out the interview below or head to the Balcony TV website.
Washington Hebrew s/t Debut Out Now!

“They are bound to confound your expectations several times on any given album, and if you’re into that, they’re good enough at putting these weird songs together that they can pull you in with surprising ease.” – Pitchfork on The Caribbean
In Michael’s own words, “I wanted Washington Hebrew to take what I loved of Chicago footwork, soundtracks, Dilla, and broken beats, take existing sounds and music, sample them, chop them up (often beyond recognition), and create completely new hooks and songs out of the raw, pulpy material. Recorded largely (although not entirely) alone, I was able to work on the nine songs making up Washington Hebrew in the studio, at coffee shops, at work, helping the record radiate an intimate, sneaky, and slightly indulgent glow while emphasizing the glitchy, danceable beats that made me look really weird while I mixed tracks at Starbucks.”
Exclusive Washington Hebrew Track Stream at Ondarock

Gorgeous New Chloë March Track!

“I love watching or being in the sea when it’s raining and this track is inspired by that sensory experience. I wanted to get a sense of that hypnotic state induced by the waves and the falling rain and that hazy, misty light that can be quite hallucinatory.”
The track is available as a pay what you want download via BandCamp.
Apricot Rail Announced for In The Pines 2017



