The World of Dust

The World of DustIts power lies in the intimacy… without drowning in desolate melancholy” – hifi.nl

The World of Dust is a shadowy universe of forlorn beauty, a lo-fi bedroom pop experiment shrouded in elemental imagery and laden with ennui. Influenced by artists such as Mount Eerie and Sparklehorse, The World of Dust is intimate and wistful, mining a similarly rich emotive seam to Norwegian slowcore legends The White Birch.
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Discography

 

Gaman


September 2022

Gaman is the 7th album by Dutch experimental folk artist The World of Dust. The title is Japanese for ‘enduring the seemingly unbearable with patience and dignity’ – Stefan Breuer covers weighty topics through a personal lens within an acoustic, slowcore setting. The album’s eleven songs address the struggles of a young father and artist in the midst of a climate, economic ánd health crisis. Breuer explores these ideas through a mixture of wit and melancholy. Guitars, wind instruments, harmonium and percussion provide an intimate musical ecosystem in which Breuer’s baritone thrives. 

 

True Sound


September 2021

In some ways a concept album, True Sound charts a very personal exploration of the life and death of Stefan Breuer’s grandparents. The unique overarching narrative that plays out with each song, and the warmth of the delivery, unites the album into a moving and consistent whole. As with The World of Dust’s acclaimed previous album, Samsara, the instrumental elements on True Sound were created by Todd Tobias, who sent them to Breuer to write and sing the lyrics. Tobias’s wonderfully melodic compositions call to mind his work with Robert Pollard, creating a haunting marriage when combined with Breuer’s pure vocal tones, reminiscent of The White Birch’s Ola Flottum.

The mesmerising, drumless opening track ‘Sailing’ introduces Breuer’s grandfather, Jan (whose personal effects are on display in the Museum of Vlaardingen), over insistent, metallic guitar and burbling modulation. First single ‘Goodbye’ has a charming, wistful sway and gorgeous vocal harmonies, which belie its sobering story of Jan’s battle with cancer. Jan’s first wife, who passed away during childbirth, is commemorated on ‘Petronella’s Death’, with its elegant, descending guitar figures. And Breuer’s grandmother is touchingly memorialised on the elegant tempo shift and eerie arpeggios of ‘Nel’s Passing’. Ultimately, True Sound is testament to the liberation that comes from letting go.

 

Blue Herons


June 2020

Karl Blau (USA) and Stefan Breuer from The World of Dust (NL) cross paths when they perform together in an old mill in The Netherlands, September 2017. Being a longtime admirer of Blau’s work (both solo and with The Microphones, Laura Veirs and LAKE), Breuer was touched by the unfiltered niceness and sincerity of the person behind this music. They stayed in contact and decided to make this split 7″ together.

Karl Blau recorded his side of the vinyl ‘Slightly Salted’ in Germantown, Philadelphia, where he currently resides with his family. The song was originally written by Bryan Elliott and recorded by his band Pounding Serfs in 1989. Since then, it more or less became the theme song to Anacortes, Washington (also the home of Mount Eerie and Beat Happening). The lovely, seaside village of Anacortes was Blau’s home for 25 years, until his recent move to Philadelphia. Spiritually he may still be found in Anacortes of Skagit Valley, northwest Washington State.

Four years ago, Stefan Breuer and his family moved out of Hoograven, Utrecht to a nearby village called Bilthoven. Hoograven is a grey neighbourhood with a lot of flats, sandwiched between two busy highways. Apart from the uninspiring surroundings, the vibe was unfriendly and hostile. Eventually, Breuer and his wife decided not to raise their kids in Hoograven. In Bilthoven they found peace, serenity, and woods. The first half of ‘The Life of Gods’ is about Hoograven, the second half is about Bilthoven.

 

 

Samsara


March 2019

Samsara is effectively a full-length collaboration between The World of Dust’s Stefan Breuer and Todd Tobias (Guided by Voices, Robert Pollard, Circus Devils). Previously contributing keyboard arrangements for 2015’s World of Dust album Womb Realm, Tobias created all the instrumental backdrops for Samsara’s evocative songs. A shadowy universe of forlorn beauty, this lo-fi bedroom pop experiment is shrouded in elemental imagery and laden with ennui. Intimate and wistful, Samsara mines a similarly rich emotive seam to Norwegian slowcore legends The White Birch.

The process for Samsara saw Tobias send Breuer 26 instrumental ideas, from which Breuer chose those which resonated with him most. Over the course of nearly two years, Breuer wrote and refined an especially personal suite of lyrics, reflecting his struggles with his mental health and his experience of becoming a father. The result is World of Dust’s most fully realised and vivid album to date.

 

Biography

The World of Dust is Dutch artist, musician and manager of Tiny Room Records, Stefan Breuer, based in Bilthoven, near Utrecht in The Netherlands. Breuer released his debut album, Bhava, in 2013, followed by X in 2014. On 2015’s Womb Realm, Breuer first collaborated with Todd Tobias (Guided by Voices, Robert Pollard, Circus Devils), with Tobias contributing keyboard arrangements. Then, in 2017, Breuer released the experimental compilation Golden Moon. Samsara (2019) is Breuer’s second collaboration with Tobias, and his first release on Hidden Shoal. For this new release Tobias sent Breuer 26 instrumental ideas, from which Breuer picked those which resonated with him most. Over the course of nearly two years, Breuer wrote and refined an especially personal suite of lyrics, reflecting his struggles with his mental health and his experience of becoming a father.

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    Licensing

    The World of Dust’s music is  available for licensing (master & sync cleared) through Hidden Shoal. Please contact us with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.