Target Archery
Following on from his work with Perth’s sun-dappled musical instrumentalists Apricot Rail, Ambrose Nock explores the fertile realm of delicate, experimental post-pop with his new project Target Archery. Influenced by the likes of Sound Dust-era Stereolab, left-of-centre indie-pop bands such as Lacto-Ovo, The Go! Team and Ninetynine, and a dash of late ’80s Sonic Youth, Target Archery mine an inspiring new seam of life-affirming melodies and instrumental texture.
Discography
The Nomenclature of Kites
October 2020
The Nomenclature of Kites is the second album from Perth-based indie-pop project Target Archery.
The Nomenclature of Kites further refines Target Archery’s incandescent blend of left-of-centre guitar music and Icelandic post-pop. The album journeys from Middle America and the absurd story of ‘Mad Mike’ Hughes, the flat-earther who built his own rocketship, to nights out in Perth’s inner east. Primarily written and recorded in the Western Australian wheatbelt by Ambrose Nock (Apricot Rail), the new album was produced by Justin Manzano and features contributions from Matt Harley (vocals) and Majuka Juber (vocals, woodwinds, pianet).
“Sitting somewhere between alt-folk, alt-pop, and post-rock… Endearing, but not without gravitas, the music is playful and yet full of emotion and drama too” – Overblown on Clock of the Long Now
Following on from his work with Perth’s sun-dappled musical instrumentalists Apricot Rail, Ambrose Nock explores the fertile realm of delicate, experimental post-pop with his new project Target Archery. Influenced by the likes of Sound Dust-era Stereolab, left-of-centre indie-pop bands such as Lacto-Ovo, The Go! Team and Ninetynine, and a dash of late ’80s Sonic Youth, Target Archery mine an inspiring new seam of life-affirming melodies and instrumental texture.
Clock of the Long Now
October 2017
Following on from his work with Perth’s sun-dappled musical instrumentalists Apricot Rail, Ambrose Nock explores the fertile realm of delicate, experimental post-pop with his new project Target Archery. Influenced by the likes of Sound Dust-era Stereolab, left-of-centre indie-pop bands such as Lacto-Ovo, The Go! Team and Ninetynine, and a dash of late ’80s Sonic Youth, Target Archery mine an inspiring new seam of life-affirming melodies and instrumental texture.
Featuring contributions from Apricot Rail members Justin Manzano (production and instrumentation) and Jack Quirk (guitars), Clock of the Long Now was crafted in an isolated studio in rural Western Australia over a period of three years. Across 40 blissful minutes, Target Archery weave a suite of glimmering musical tapestries that expand beyond the borders of conventional guitar pop.
Biography
Target Archery is the newest project of Apricot Rail founding member Ambrose Nock. Crafted in an isolated studio in rural Western Australia over a period of three years, debut release Clock of the Long Now is an exploration of delicate, experimental post-pop. The album features contributions from Apricot Rail members Justin Manzano (production and instrumentation) and Jack Quirk (guitars).
News
Target Archery Feature Album at RTRFM
Target Archery‘s gorgeous new album The Nomenclature of Kites is this week’s local feature album at the wonderful RTRFM. Tune in to the station to hear tracks featured all week. The album is available now for download via Bandcamp, streaming via Spotify and from all the other usual online stores and streamers. Be sure to also check out the music video for the album track ‘The Flat Earther and his Rocket’ on YouTube.
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Target Archery “The Nomenclature of Kites” Out Now!
We’re very excited to announce the release of The Nomenclature of Kites, the second album from Perth-based indie-pop project Target Archery. The album is available now for download via Bandcamp, streaming via Spotify and from all the other usual online stores and streamers. Be sure to also check out the music video for the album track ‘The Flat Earther and his Rocket’ on YouTube.Target Archery’s The Nomenclature of Kites further refines Target Archery’s incandescent blend of left-of-centre guitar music and Icelandic post-pop. The album journeys from Middle America and the absurd story of ‘Mad Mike’ Hughes, the flat-earther who built his own rocketship, to nights out in Perth’s inner east. Primarily written and recorded in the Western Australian wheatbelt by Ambrose Nock (Apricot Rail), the new album was produced by Justin Manzano and features contributions from Matt Harley (vocals) and Majuka Juber (vocals, woodwinds, pianet).
“Sitting somewhere between alt-folk, alt-pop, and post-rock… Endearing, but not without gravitas, the music is playful and yet full of emotion and drama too” – Overblown on Clock of the Long Now
Following on from his work with Perth’s sun-dappled musical instrumentalists Apricot Rail, Ambrose Nock explores the fertile realm of delicate, experimental post-pop with his new project Target Archery. Influenced by the likes of Sound Dust-era Stereolab, left-of-centre indie-pop bands such as Lacto-Ovo, The Go! Team and Ninetynine, and a dash of late ’80s Sonic Youth, Target Archery mine an inspiring new seam of life-affirming melodies and instrumental texture.
The music of Target Archery is available for licensing (film, tv, web and more) via Hidden Shoal.
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New Target Archery Single and Forthcoming Album
We’re very excited to present the new single from Target Archery, ‘Dragonfly Angels’. The track is lifted from The Nomenclature of Kites, the second album from the Perth-based indie-pop project which sees release on the 2nd of October 2020. Download ‘Dragonfly Angels’ on Bandcamp, stream on SoundCloud and watch the accompanying music video on YouTube.Target Archery’s The Nomenclature of Kites further refines Target Archery’s incandescent blend of left-of-centre guitar music and Icelandic post-pop. The album journeys from Middle America and the absurd story of ‘Mad Mike’ Hughes, the flat-earther who built his own rocketship, to nights out in Perth’s inner east. Primarily written and recorded in the Western Australian wheatbelt by Ambrose Nock (Apricot Rail), the new album was produced by Justin Manzano and features contributions from Matt Harley (vocals) and Majuka Juber (vocals, woodwinds, pianet).
“Sitting somewhere between alt-folk, alt-pop, and post-rock… Endearing, but not without gravitas, the music is playful and yet full of emotion and drama too” – Overblown on Clock of the Long Now
Following on from his work with Perth’s sun-dappled musical instrumentalists Apricot Rail, Ambrose Nock explores the fertile realm of delicate, experimental post-pop with his new project Target Archery. Influenced by the likes of Sound Dust-era Stereolab, left-of-centre indie-pop bands such as Lacto-Ovo, The Go! Team and Ninetynine, and a dash of late ’80s Sonic Youth, Target Archery mine an inspiring new seam of life-affirming melodies and instrumental texture.
The music of Target Archery is available for licensing (film, tv, web and more) via Hidden Shoal.
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New Hidden Shoal Remix Comp Released – Free Download
We’re very excited to announce the release of By any other name, a new compilation of remixes of recently released tracks by Hidden Shoal artists. The album is available now as a free download via Bandcamp and to stream via Spotify and SoundCloud.For By any other name, Hidden Shoal invited a number of emerging Perth artists to rework a selection of tracks from the label’s catalogue. With 11 artists reimagining tracks by Target Archery, Erik Nilsson, Glanko & Daniel Bailey, Summon the Birds, Chloe March and Isophene, what’s most striking about By any other name is both the expansive nature of the individual tracks, and the cohesiveness of the overall listening experience.
By any other name features remixes by Boy In Nature, Austy, Alexi, Michael Tyrie, Sue Summers, Ryan Jose, Daniel Zinetti, Crier, Cron, Shane Isard and JW. Boy In Nature infuses the languid tones of Target Archery’s ‘Opium Den’ with an effervescent buoyancy. On Michael Tyrie’s reimagining of Summon the Birds’ ‘Tactile Hallucination’, the structure of the song is inverted, with the epic climax acting as a cinematic scene-setter. Cron’s re-envisioning of Glanko & Bailey’s ambient masterpiece ‘Adiaphora’ injects the original with urgency without losing its sense of grandeur. And Daniel Zinetti’s brilliant deconstruction of Chloe March’s ‘Old Tree Mon Coeur’ breaks the original into a thousand pieces and then ejects them into space.
As always this music is available for licensing for film, tv, games and more through Hidden Shoal.
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New Target Archery Remix – Featured Track at RTRFM
Boy In Nature’s brilliant remix of Target Archery‘s ‘Opium Den’ is one of this week’s featured tracks at RTRFM! The track is lifted from the forthcoming By any other name, a compilation of remixes of recently released tracks by Hidden Shoal artists. The album will see release on the 19th August 2019, available as a free download via Bandcamp and streamable via Spotify. Stream the single now over at SoundCloud.
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First Single from New Hidden Shoal Remix Compilation
Boy In Nature’s remix of Target Archery’s ‘Opium Den’ is the first single lifted from By any other name, a forthcoming compilation of remixes of recently released tracks by Hidden Shoal artists. The track is available now as a free download via Bandcamp and to stream via SoundCloud. By any other name will see release on the 19th August 2019, available as a free download via Bandcamp and streamable via Spotify.For By any other name, Hidden Shoal invited a number of emerging Perth artists to rework a selection of tracks from the label’s catalogue. With 11 artists reimagining tracks by Target Archery, Erik Nilsson, Glanko & Daniel Bailey, Summon the Birds, Chloe March and Isophene, what’s most striking about By any other name is both the expansive nature of the individual tracks, and the cohesiveness of the overall listening experience.
By any other name features remixes by Boy In Nature, Austy, Alexi, Michael Tyrie, Sue Summers, Ryan Jose, Daniel Zinetti, Crier, Cron, Shane Isard and JW. Boy In Nature infuses the languid tones of Target Archery’s ‘Opium Den’ with an effervescent buoyancy. On Michael Tyrie’s reimagining of Summon the Birds’ ‘Tactile Hallucination’, the structure of the song is inverted, with the epic climax acting as a cinematic scene-setter. Cron’s re-envisioning of Glanko & Bailey’s ambient masterpiece ‘Adiaphora’ injects the original with urgency without losing its sense of grandeur. And Daniel Zinetti’s brilliant deconstruction of Chloe March’s ‘Old Tree Mon Coeur’ breaks the original into a thousand pieces and then ejects them into space.
As always this music is available for licensing for film, tv, games and more through Hidden Shoal.
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Hidden Shoal in Textura’s Ten Favourite Labels of 2018 List!
Hidden Shoal is incredibly honoured to have been selected as one of Textura’s Ten Favourite Labels of 2018. Textura is, in our opinion, the premiere new music magazine and favourite of the label team for unearthing and exposing new and exciting new music. This is the second time Hidden Shoal has been selected in Textura’s best labels list and as always we are nestled against some other very special labels, all of who you should check out.Now for a very brief and unnecessary acceptance speech – we are nothing without our incredible roster of artists, who continually amaze, inspire and surprise us. Thank you all!
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Three Questions With Target Archery
Target Archery’s stunning 2017 debut, The Clock of the Long Now, unwinds over 40 blissful minutes, weaving a suite of glimmering musical tapestries that expand beyond the borders of conventional guitar pop. Headed by Ambrose Nock (Apricot Rail) and featuring contributions from Apricot Rail members Justin Manzano (production and instrumentation) and Jack Quirk (guitars), Clock of the Long Now explores the fertile realm of delicate, experimental post-pop, influenced by the likes of Sound Dust-era Stereolab, left-of-centre indie-pop bands such as Lacto-Ovo, The Go! Team and Ninetynine, and a dash of late ’80s Sonic Youth.Why are we telling you all this? Because we cornered Ambrose and asked him to pull three questions out of the bag!
What’s the best show you’ve ever been to?
While it’s hard to go past Sonic Youth playing Daydream Nation in full, it’d have to be Gersey at the Rosemount many years ago – they were an incredible live band, especially in a small venue.
Build your own dream supergroup.
Keys & Sounds – Stina
Bass Guitar – Simon Struthers
Drum Kit – Ben Gibbard (lead singer from Death Cab but he played drums on their second record & they are stunning)
Woodwind – Mayuka Juber
Guitars – Myself!
Singing – Waltz era Glenn Richards (Augie March)What’s one of your favourite albums that’s unlikely to be featured on anyone else’s list of favourite albums, and why do you love it?
I’m going to go with They forgot it in people by Broken Social Scene. Theres so many layers and little parts of it where they’ve just pushed things to their limit – things that you don’t notice at first but the character of the record has a lot of thought behind it. Without setting out to be, it’s almost a summation of all the techniques and things that were good about mid 90’s experimental guitar music, but with a lot of energy and delicacy thrown in.
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New Target Archery Music Video – ‘Scarecrow’
Following on from the release of the gorgeous new album, Clock of the Long Now, by Perth-based instrumental pop outfit Target Archery, we’re excited to share the beautiful new music video for album track ‘Scarecrow’. The music video was produced and directed by Chad Peacock (Peacock Visuals). Clock of the Long Now is available now in digital (free download!) and vinyl formats.Ambrose Nock explores the fertile realm of delicate, experimental post-pop with his new project Target Archery. Influenced by the likes of Sound Dust-era Stereolab, left-of-centre indie-pop bands such as Lacto-Ovo, The Go! Team and Ninetynine, and a dash of late ’80s Sonic Youth, Target Archery mine an inspiring new seam of life-affirming melodies and instrumental texture. Featuring contributions from Apricot Rail members Justin Manzano (production and instrumentation) and Jack Quirk (guitars), Clock of the Long Now was crafted in an isolated studio in rural Western Australia over a period of three years. Across 40 blissful minutes, Target Archery weave a suite of glimmering musical tapestries that expand beyond the borders of conventional guitar pop.
As with all Hidden Shoal releases, Target Archery’s music is available for licensing (film, tv, games, compilations). Contact Hidden Shoal for more info.
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Target Archery Debut is RTRFM’s Local Feature Album!
Target Archery‘s sublime debut, Clock of the Long Now, is this week’s Local Feature album at the wonderful RTRFM. Listen in and win a copy of the vinyl release! The album is available now as a free digital download and vinyl purchase via the band’s Bandcamp.Continue reading →Related Items:
Reviews
Target Archery ‘Soujourn’ Reviewed at Overblown
“This one is a charmer. Sitting somewhere between alt-folk, alt-pop, and post-rock is the latest project from Ambrose Nock of Perth’s instrumentalists Apricot Rail. Titled Target Archery, the music on offer here is warm and charming. Endearing, but not without gravitas, the music is playful and yet full of emotion and drama too.
This is perfect to assuage the Sunday night fear that sets in when one becomes acutely aware of the working week ahead. Let this ease those aches and pains for you. You will not regret it.”
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Target Archery ‘Soujourn’ Reviewed at The Sunday Experience
“Typically turned in the high calibre sonic intimacy that we’ve come to love and adore from the hidden shoal imprint, this be from Target Archery, the second single (‘soujourn’) therein from a newly peeled set due to arrive shortly by the name ‘clock of the long now’. Target Archery, for the uninitiated among you, is the solo project of Ambrose Knock, who in a parallel musical life cobbles together svelte sonic sweetness in the guise of Apricot Rail who one time or another used to adore these pages to much swooning fondness. Measured in his trademark softening detail, ‘soujourn’ is delicately spirited away in a quietly blossoming and picturesque shyness, harvested upon undulating rustic cascades and the lolloping drift of a sun speckled lilting ramble, it fizzes with a softly wakening joyous dizziness whose advancing homecoming dimpling collides perfectly at the 2.00 point momentarily elevated by a tingling rush of feel good bliss haloed euphoria.”
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Target Archery ‘Opium Den’ Reviewed at Eucalypt
“Ex-Apricot Rail artist, Ambrose Nock exploring gorgeous post-pop territory. Look out for more from one of Australia’s most criminally underrated labels, Hidden Shoal.”
– Eucalypt
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Press Releases
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Artist Photos
Music Videos
Licensing
Target Archery’s music is available for licensing (master & sync cleared) through Hidden Shoal. Please contact us with some basic details about your project and the track(s) you wish to use and we’ll be sure to get back to you straight away.