Hidden Shoal News
New Willem Gator Track and Music Video

Sold Out taps into both the playful, danceable territory of Severed Heads and the focused melodic drive of early Warp releases. ‘2007’ is hypnotic and pulsing, evoking a dreamy, nocturnal landscape. ‘Fragments Vol. 2’ conjures an eerie, almost tribal atmosphere, like Popul Vuh jamming with Dead Can Dance. The five-track release reaches its climax with the 11-minute ‘It Collapse’, which lays elegant yet icy synth tones over stuttering rhythms and a roving, questioning bassline.
Willem Gator is Giuseppe Musmeci, self-taught composer, guitarist, electronic musician and member of the Italian post-rock outfit HC-B. Musmeci’s rich background in electronic music production and keen sense of texture sees him creating highly distinctive music. Willem Gator has performed throughout Europe, sharing the stage with musicians such as FM Einhet (Einsturzende Neubauten), Flying Luttenbachers, Unsane, DJ Spooky, Pansonic, Nobokazu Takemura, U-Cef, Battles and Art Brut.
The music of Willem Gator is available for licensing (film, tv, web, exhibition etc). Head here for more details.
New Rewilding Single and Music Video

Following on from 2020’s mesmerising instrumental album Rain Patch, Rewilding’s new album, Abandoned Kiva, traverses exciting new ground for the band. In-keeping with the album’s underlying theme of seeking fresh connections in a world characterised by disconnection, the album introduces vocals by new collaborator Monica Alexandra, while continuing to explore the blurred lines between lo-fi indie-pop, post-rock and film soundtracks.
With Alexandra’s vocals in the mix alongside Jake McFee’s own, Abandoned Kiva shares musical DNA with Broadcast’s Tender Buttons, where haunting voices weave amid dense, dark musical hallways, flickering with the promise of revelation while perpetually dodging out of reach. Single ‘Astro-Geo Alignment’ typifies the album’s charms, as rickety rhythms are held together by hazy guitars, synths and voices, warping the listener’s perception of the music’s temporal and spatial dimensions.
“Further Hidden Shoal loveliness… a set made up of intricately teased melodic miniatures with an affectionate nod to both Fridge and Pram… its dreamily reflective tones are teasingly sculptured in a disarmingly fragile whittling” – The Sunday Experience on Rewilding single ‘High Desert’
New Moonchy & Tobias Single, Album in March

Golem sees Moonchy & Tobias boldly embarking on a treacherous journey through haunted, psychedelic territory. Moonchy is the Medicine Woman in this dark rainforest, with Tobias dredging up waterlogged sound from the swamp and refracting it through a hall of mirrors. While M&T’s widely acclaimed previous albums prioritized atmosphere over rhythmic intensity, Golem stirs in a heady dose of grinding bass and guitar textures familiar to fans of 90s bands such as Girls Against Boys and Morphine.
The album hurtles into view with ‘Zoas’, tapping into the lurching alt-rock magic of Captain Beefheart or Scary Monsters-era Bowie. First single, ‘Potio Medicata’ leans into an insistent Middle-Eastern flavored ostinato, melodically infused and mesmerizing, whilst ‘Mintea’ counterbalances its strident guitar riffing and joyous cowbell with Moonchy’s eerie vocal.
The music of Moonchy & Tobias is available for licensing for film, tv, web and beyond via Hidden Shoal.
Stunning Neo-Classical EP From Lunar Landscape’s Arnaud Sigonney

The EP is available now via Spotify, Bandcamp and all other good online stores. The music of Arnaud Sigonney is available for licensing (master & sync cleared) for film, tv, web and more through Hidden Shoal. Please contact us for more details.
“The Field” – Beautiful New EP from The Slanted City

The Field comprises three songs, written over the course of some fifteen years: ‘Counting Days’, a bossa nova about fieldwork far from home; ‘A House Divided’, a ballad about political polarization in the guise of a relationship drama; and ‘The Collective Field’, the program statement of World Listening Day 2020 set to music.
The World of Dust – New Music Video and Interview
We’re excited to present the wonderfully playful music video by Mark Jennings for The World of Dust song ‘Sailing’. The track is lifted from The World of Dust’s new album “True Sound”, available on CD and digital through Tiny Room Records and streamable via Spotify, Apple Music and the rest. The video is being premiered along with a fantastic interview with Stefan Breuer at The Daily Indie.New Kramies Single and Video, ‘Ohio, I’ll Be Fine’

Produced by and featuring Jerry Becker of Train, as well as Jim Bogios of Counting Crows, “Ohio, I’ll Be Fine” combines the artistry of these three creative minds into a wonderfully detailed, emotionally resonant song. Clocking in at a concise three minutes, the song’s animated video casts a warm, nostalgic light on the song’s lyrical imagery, lifting your spirits while tugging on your heartstrings.
As a natural next step in a long and storied artistic career, “Ohio, I’ll be Fine” stands among Kramies’ best work to date, showcasing his knack for bringing together the personal and the universal into addictive, accessible folk-pop.
Kramies’ music is available for licensing through Hidden Shoal. Head here for more details.
New Single From The Slanted City, “The Field” EP Soon

“The Field” comprises three songs, written over the course of some fifteen years: ‘Counting Days’, a bossa nova about fieldwork far from home; ‘A House Divided’, a ballad about political polarization in the guise of a relationship drama; and ‘The Collective Field’, the program statement of World Listening Day 2020 set to music.
Liminal Drifter ‘Cut Out’ – New Single!

“As the introspective electronica plays us out, it’s not hard to imagine a utopia being enveloped by the soothing and thoughtful sounds of Liminal Drifter.” – Xpress Mag on Connected
Download via Bandcamp, stream via Spotify and the rest. The music of Liminal Drifter is available for licensing via Hidden Shoal (film, tv, web games etc). Check here for more details on licensing this music.
Otinget’s Brilliant Debut Album Out Now!

On title track and first single, Fiske helps build the song from its gentle rollicking intro to its feverish conclusion. Opener ‘The Sea’ weaves mesmerising, spidery guitar lines before the bassline references the Hendrix classic ‘Hey Joe’. ‘The Vagabond’ manages to seamlessly fuse math-rock guitar lines with a bluesy swagger, highlighting both the band’s songwriting smarts and their formidable ability as performers. ‘But Something Came Over Me’ is a brooding slice of atmospheric pop, building up and falling away in equal measures over its runtime. And the album closes with ‘Further’, a majestic re-working of a song by one of Otinget frontman Erik Nilsson’s other projects, The Slanted City
Otinget was born in an abandoned industrial building on the outskirts of Stockholm, Sweden, where Victor Alneng (Infra) and Tomas Eriksson (Magnolia, My Brother the Wind) made music in various, shifting constellations. Erik Nilsson (The Slanted City), acquainted with Alneng from their university days, joined on guitar and later vocals, and together they discovered a synergy worth exploring further: the interplay between Eriksson’s imaginative drumming, Alneng’s melodic bass playing and Nilsson’s fingerstyle guitar. On their debut album Otinget are joined on a couple of tracks by Reine Fiske (Dungen) and Mathias Danielsson (My Brother the Wind).


