Hidden Shoal News
Beautiful New Otinget Single, ‘The Vagabond’, Out Now

On title track and first single, Fiske helps build the song from its gentle rollicking intro to its feverish conclusion. Opener ‘The Sea’ weaves mesmerising, spidery guitar lines before the bassline references the Hendrix classic ‘Hey Joe’. ‘The Vagabond’ manages to seamlessly fuse math-rock guitar lines with a bluesy swagger, highlighting both the band’s songwriting smarts and their formidable ability as performers. ‘But Something Came Over Me’ is a brooding slice of atmospheric pop, building up and falling away in equal measures over its runtime. And the album closes with ‘Further’, a majestic re-working of a song by one of Otinget frontman Erik Nilsson’s other projects, The Slanted City.
“delights at every turn… an unfailingly tuneful and entertaining whole that transcends its techniques through sheer musicality” – Music is Good on Otinget frontman Erik Nilsson’s album Recollage
Otinget was born in an abandoned industrial building on the outskirts of Stockholm, Sweden, where Victor Alneng (Infra) and Tomas Eriksson (Magnolia, My Brother the Wind) made music in various, shifting constellations. Erik Nilsson (The Slanted City), acquainted with Alneng from their university days, joined on guitar and later vocals, and together they discovered a synergy worth exploring further: the interplay between Eriksson’s imaginative drumming, Alneng’s melodic bass playing and Nilsson’s fingerstyle guitar. On their debut album Otinget are joined on a couple of tracks by Reine Fiske (Dungen) and Mathias Danielsson (My Brother the Wind).
New Memorybell Single and Music Video

Created during lockdown and inspired by the science fiction narratives of The Stars My Destination and Silent Running, the new album confronts the ache of loneliness and isolation with a healthy dose of hope. As Outerbridge explains, “At the start of the lockdown, I existed in a state of unease… I revisited many of my old, unreleased recordings, searching for inspiration… I chose four songs that sit well together, tweaked and manipulated them, and created three new, complimentary tracks. Something new from something old. Not a revolutionary concept, but a comforting one, when faced with an existential threat.”
True to the album’s title, the sound palette is organic, reflective and beautiful, as sustained tones bloom into clear space. Bookended by shorter tracks ‘Limbic Drift’ and ‘Here’, the album stretches out on the 17-minute ‘Distant Fire’ and the 11-minute ‘Broken Petals’. Generous in scope and open-hearted in timbre, Glass Garden zeroes in on intimate instrumental tones and expands them into environments to inhabit and explore.
“Essential to anyone searching for an aural retreat from an over-compressed world of packaged sound… Highly recommended for fans of solo piano and intersected genres, where Brian Eno meets Satie.” – Headphone Commute on Obsolete
Debut Otinget Single (Feat. Reine Fiske of Dungen)

On title track and first single, Fiske helps build the song from its gentle rollicking intro to its feverish conclusion. Opener ‘The Sea’ weaves mesmerising, spidery guitar lines before the bassline references the Hendrix classic ‘Hey Joe’. ‘The Vagabond’ manages to seamlessly fuse math-rock guitar lines with a bluesy swagger, highlighting both the band’s songwriting smarts and their formidable ability as performers. ‘But Something Came Over Me’ is a brooding slice of atmospheric pop, building up and falling away in equal measures over its runtime. And the album closes with ‘Further’, a majestic re-working of a song by one of Otinget frontman Erik Nilsson’s other projects, The Slanted City.
“delights at every turn… an unfailingly tuneful and entertaining whole that transcends its techniques through sheer musicality” – Music is Good on Otinget frontman Erik Nilsson’s album Recollage
Otinget was born in an abandoned industrial building on the outskirts of Stockholm, Sweden, where Victor Alneng (Infra) and Tomas Eriksson (Magnolia, My Brother the Wind) made music in various, shifting constellations. Erik Nilsson (The Slanted City), acquainted with Alneng from their university days, joined on guitar and later vocals, and together they discovered a synergy worth exploring further: the interplay between Eriksson’s imaginative drumming, Alneng’s melodic bass playing and Nilsson’s fingerstyle guitar. On their debut album Otinget are joined on a couple of tracks by Reine Fiske (Dungen) and Mathias Danielsson (My Brother the Wind).
New Single from The World of Dust Forthcoming Album

In some ways a concept album, True Sound charts a very personal exploration of the life and death of Stefan Breuer’s grandparents. The unique overarching narrative that plays out with each song, and the warmth of the delivery, unites the album into a moving and consistent whole. As with The World of Dust’s acclaimed previous album, Samsara, the instrumental elements on True Sound were created by Todd Tobias, who sent them to Breuer to write and sing the lyrics. Tobias’s wonderfully melodic compositions call to mind his work with Robert Pollard, creating a haunting marriage when combined with Breuer’s pure vocal tones, reminiscent of The White Birch’s Ola Flottum.
The mesmerising, drumless opening track ‘Sailing’ introduces Breuer’s grandfather, Jan (whose personal effects are on display in the Museum of Vlaardingen), over insistent, metallic guitar and burbling modulation. First single ‘Goodbye’ has a charming, wistful sway and gorgeous vocal harmonies, which belie its sobering story of Jan’s battle with cancer. Jan’s first wife, who passed away during childbirth, is commemorated on ‘Petronella’s Death’, with its elegant, descending guitar figures. And Breuer’s grandmother is touchingly memorialised on the elegant tempo shift and eerie arpeggios of ‘Nel’s Passing’. Ultimately, True Sound is testament to the liberation that comes from letting go.
“Its power lies in the intimacy… without drowning in desolate melancholy” – hifi.nl
Liminal Drifter ‘Lured by the Lounge’ – New Single!

“As the introspective electronica plays us out, it’s not hard to imagine a utopia being enveloped by the soothing and thoughtful sounds of Liminal Drifter.” – Xpress Mag on Connected
Download via Bandcamp, stream via Spotify and the rest. The music of Liminal Drifter is available for licensing via Hidden Shoal (film, tv, web games etc). Check here for more details.
Moonchy & Tobias “Venus Mirror” EP Out Now!

Venus Mirror is a buoyant follow-up to the brooding, nocturnal atmospheres of the duo’s 2020 release Moonchy & Tobias III, the luminous, soothing Venus Mirror is infused with an almost tropical sway. On ‘Specchio Di Venere’, Tobias’ modulated synth, tuned percussion and acoustic guitar paint a widescreen scene, over which Moonchy’s vocal traces a mesmerizing wordless melody. On the other six tracks, Moonchy sings both in her native Italian and in ancient Latin, her voice soaring and graceful in turns. In the single ‘Delibo,’ the warm major sevenths of jazz are chilled by a shivering wind. ‘Leniter’ brings the EP to a fittingly ambiguous close, setting the listener adrift on see-sawing, reverb-drenched piano lines.
The music of Moonchy & Tobias is available for licensing for film, tv, web and beyond via Hidden Shoal.
New Moonchy & Tobias Single, EP in June
We’re excited to announce the release of ‘Delibo, the new single from the forthcoming Moonchy & Tobias EP, Venus Mirror. The single is available now to download via Bandcamp and stream via SoundCloud ahead of the EP release on 5th June through Tiny Room Records and Hidden Shoal. ‘Delibo’ is also accompanied by a beautiful music video from Pat Moonchy.
Venus Mirror is a buoyant follow-up to the brooding, nocturnal atmospheres of the duo’s 2020 release Moonchy & Tobias III, the luminous, soothing Venus Mirror is infused with an almost tropical sway. On ‘Specchio Di Venere’, Tobias’ modulated synth, tuned percussion and acoustic guitar paint a widescreen scene, over which Moonchy’s vocal traces a mesmerizing wordless melody. On the other six tracks, Moonchy sings both in her native Italian and in ancient Latin, her voice soaring and graceful in turns. In the single ‘Delibo,’ the warm major sevenths of jazz are chilled by a shivering wind. ‘Leniter’ brings the EP to a fittingly ambiguous close, setting the listener adrift on see-sawing, reverb-drenched piano lines.
The music of Moonchy & Tobias is available for licensing for film, tv, web and beyond via Hidden Shoal.
Memorybell “No Anchor” Out Now

On No Anchor, Grant Hazard Outerbridge expands the scope of his ambient work, crafting three long-form drone pieces that together comprise nearly 80 minutes of music. The core sounds for the album were recorded in late 2019 while Outerbridge’s studio was under construction, then developed during the pandemic to incorporate complex signal processing and layers of his core instrument, the piano.
No Anchor fades into view with the gently rushing ‘Beneath a Soft Clearing’, which evokes the feeling of travelling at speed while insulated from turbulence. The noise of the waking world encroaches more boldly in ‘Soon to Wake’, as surface static begins to crackle and hum. Then, on the monumental 42-minute title track, all terrestrial points of focus begin to fade, as a deep soundscape stretches to the horizon. The resulting album feels like a waking dream, a tactile, shimmering, gorgeously immersive experience.
“Essential to anyone searching for an aural retreat from an over-compressed world of packaged sound… Highly recommended for fans of solo piano and intersected genres, where Brian Eno meets Satie.” – Headphone Commute on Obsolete
Memorybell is the ambient project of Grant Hazard Outerbridge. From 2003 to 2008, he played bass, keys, and occasionally sang in the band The Very Hush Hush. In 2010, under the name Grant Hazard, Outerbridge self-released Genus Euphony, a solo effort of classical piano infused with subtle electronics. In February 2014, Outerbridge awoke in a hospital with no memory of how he had arrived. He was diagnosed with transient global amnesia. When he returned to the piano, Outerbridge found his previous compositions sounded garish, so he pared them down to their essence and, along with new, more spacious material, constructed the debut Memorybell release, Obsolete. This was followed in 2020 by Solace, a meditation on nature and stillness that prominently features modular synthesizer. No Anchor is his third Memorybell release.
Liminal Drifter ‘Child’s Play’ – New Single!

The single is available now from Spotify, Apple Music, Bandcamp and the other usual suspects. ‘Child’s Play’ is the title track from Liminal Drifter’s forthcoming EP, due out later in 2021.
The music of Liminal Drifter is available for licensing (film, tv, games, web) through Hidden Shoal.
Battlestations “Splinters, Vol. I: Tremor” Out Now

While previous Battlestations releases tend to paint bold strokes of instrumental colour, with dramatic dynamics and dense textures, Tremor is an altogether airier, more elusive listening experience, as if encountering a ghost perpetually melting into the distance. Across these 43 cinematic minutes, ambient recordings, organ and strings muster a feeling of suspension and subtle foreboding, as if sensing a tragedy distant in space or time.


