Hidden Shoal News
Test Card Signs to Hidden Shoal

Start Up Close Down’s hypnotic and enveloping drift belies the level of craft and composition that makes each track so captivating. The album plays out like the soundtrack to a nocturnal drive, painting the journey’s objects as they pass by. As much slow-motion dream-pop as it is ambient-electronica, each track feels like a subtle revelation, a gradually unfolding description of a unique, enraptured environment we are only just discovering.
Beautiful New Crisopa Single – ‘Expectorant Ballad’
![Transhumante [Extended]](http://www.hiddenshoal.com/wp-content/uploads/2018/03/Transhumante-Extended-Cover-Art-300x300.jpg)
Crisopa’s original 2017 release of Transhumante (via the Sound in Silence label) presented an immersive suite of deeply evocative and melodic ambient electronica. The new extended version of the album includes six beautiful new additions, bathing the listener in waves of ecstatic synth swells, textural loops and insistent rhythms. These surging, emotive tracks simultaneously summon forth aching nostalgia and a blissful state of hopefulness. Anyone who enjoys deep, vivid electronica in the vein of Boards of Canada, Manual and Hammock will find themselves right at home in Crisopa’s beatific compositions.
“Oh my – this is gorgeous… Every track has something surprising and comforting, and its own unique atmosphere and personality, yet it all comes together to be a beautifully consistent and enjoyable album blending the new with the familiar” – [sic] Magazine
Crisopa Signs to Hidden Shoal

The new album will see release on the 1st of May with the first cut from the album out next Monday. Stay tuned!
Three Questions With Summon the Birds

To get a peek inside the Bird machine we asked Jonathan Shaw from the band to pull three questions out of the bag…
What’s the best show you’ve ever been to?
In 2011, Milky and I went to the now-defunct Harvest Festival in Werribee and saw a whole stash of incredible acts, including Mogwai, The Flaming Lips and Kevin Devine. For me, the highlight was Portishead. Oh man. My heart. To hear Beth sing ‘Roads’ live transported me beyond the stars… so beautiful.
Which song of yours is most important to you and why?
I’ll nominate ‘Journey to the Centre of the Earth’ from our new album because of its unrelenting ambition. I also feel that if you like that song, you’ll like Summon the Birds. Just to complete that track, all 9 minutes of it, and to actually evoke – sonically and lyrically – the falling of a man into the Centre of the Earth is – in my opinion – a huge artistic achievement for the band. It also completes the ultimate synthesis of STB – the music as narrative and the lyrics as sound.
What’s one of your favourite albums that’s unlikely to be featured on anyone else’s list of favourite albums, and why do you love it?
A big album for us in the making of Blood Love – and one that Milky and I bonded over particularly – is Talk Talk’s Laughing Stock, released in 1991. It is phenomenally good and as soon as I heard it, all I wanted to do was make music that good. The pace of it is what captured my heart. It unfolds at its own steady pace and weaves the listener into an unrelenting tapestry of beauty, wisdom, sorrow and light. I think it’s a colossal suite of songs and I can’t believe I only heard about it 8 or so years ago. We also based the final number of tracks on our record – 6 – on the number of tracks on Laughing Stock.
New Erik Nilsson Single, Forthcoming Album

From the cascading acoustic guitar loops of ‘A Tap At The Window’ through to the emotive found-sound, post-rock crescendo of closer ‘Once, I Held You In My Arms Forever’, The Imperfect Tense triangulates a musical landscape of potent melodic terrain, full of evocative details and melancholic shadows. Nilsson expertly interweaves the electronic with the acoustic, precision-crafting each track with an auteur’s ear for dynamics and space, resulting in an instrumental suite that is as accessible as it is experimental.
Stream ‘A Tap at the Window’ via SoundCloud, download via Bandcamp and read more about Erik Nilsson here.
New Todd Tobias Single and Album Pre-Order!

This time Tobias breaks out a rollicking set of Middle-Eastern flavored psychedelia. Massabu‘s 13 breathless tracks evoke a night club grotto in some exotic port town filled with wild dancers and intoxicating fumes. Tobias is joined on three tracks by Italian vocalist Pat Moonchy, who lends a playful, otherworldly touch.
The quartet Combo Qasam is currently performing Massabu Evening Entertainments in The Netherlands as of March, 2018. Show dates: March 22, 2018 (Amsterdam/OCII), March 23 (Rotterdam / WORM) and March 25 (Utrecht / STUDIO PATRICK).
Connected View ‘Dark Dogs’ – New Track and Music Video

The on-the-fly yet incredibly dreamy nature of Chun Pop’s magic feels like switching between hidden late-night radio stations after a handful of quaaludes. Whether it’s the filthy, sinuous bass of ‘Galacticraft II’ or the interweaving synth tones of ‘Energy Positive House’, all the musical decisions here feel inspired, without obtrusive thought. Right from brooding opening track and single ‘Dark Dogs’, the album feels like eavesdropping on a wonderfully flowing jam session, with each successive track a gleaming gem that radiates and reflects off its neighbours in fascinating ways.
Gorgeous New Single from Chloe March!

“The latest album by Chloe March is another heady trip through electro pop… The air is thick with atmosphere throughout and March is a masterful creator of mood… a beautiful sound somewhere between The Blue Nile and David Sylvian” – The Underground of Happiness Best of 2017
‘Calypso Wants’ is a heady and sensual slice of ambient electronic pop. It’s delicate composition is teased into life by lush vocal harmonies, pulsing piano, strings and brushed drums. The titular Calypso refers to a nymph in Homer’s Odyssey, who charms Odysseus and keeps him prisoner until the gods order his release. Notions of concealment and revelation are played out in the song’s dynamics, creating a rarefied atmosphere that expresses a timeless longing.
In her fourth album, Blood-Red Spark, March continues her exploration of a rich musical seam in which songwriterly storytelling and imagistic soundscape meet. Beautiful ambient/electro-pop soundworlds of warm spaciousness and radiant sensuality are underpinned by a compelling pulse – a vital heartbeat of an album of emotional concealments and revealments, truth and trickery, loss, longing and desire.
March leads the listener through an immersive multi-layered world of melodic twists and unexpected harmonic shifts with the confident songcraft of a composer happily at home with her own distinctive musicality, occasionally reminiscent of Goldfrapp, C Duncan, The Cocteau Twins or David Sylvian, using her voice as intimate centre point and textural instrument. The single ‘Let It All In’ is at the heart of this intimacy, distilling the emotional magnetism that March brings to all her work into an intense shot of magic and liquid melancholy. Blood-Red Spark is further evidence of an artist gathering her musical forces and transforming them into shimmering gold.
Chloe March featured in The Epileptic Gibbon’s Best of 2017!

If you’ve not had the pleasure yet then check out Blood-Red Spark over at Chloe’s Bandcamp.
Summon the Birds “Blood Love” Out Now (Vinyl, Digital)

“a fine exponent of Brit-infused prog rock… Radiohead are a clear marker here… They create their own rich universe with narrative character and personality in abundance” – [sic] Magazine on single ‘London Tap Water
Summon the Birds flash out the shadows of the sky, spinning tales of fallen kings, dissected criminals, Arctic exploration, cloud riding and London rain. Labyrinthine pieces like ‘The Anatomy Lesson’ – based on the famous painting by Rembrandt – nine-minute opus ‘Journey to the Centre of the Earth’ and instrumental tracks ‘Tactile Hallucination’ and ‘Cloud Cars’ realise the reach of the band’s ambition. Bookended by singles ‘Funeral for a King’ and ‘London Tap Water’, this six-track epic is testament to how powerful music can become when story and song interweave.


