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Crisopa “Transhumante [Extended]” Reviewed at Headphone Commute

Jul 12, 2018 | Crisopa Reviews, Reviews

“I’ve been a fan of Hidden Shoal for over a decade now. Born in 2006 [right around the same time as I began to write about music], this Perth (Australia) based label has been appearing on my rotations, and end of year lists, with their experimental ambient...

Crisopa “Transhumante” Reviewed at [sic] Magazine

Mar 5, 2018 | Crisopa Reviews, Reviews

“I’m a minute in, and I already feel that this is an exciting record that’s going to take me some where new. Indeed, I was not expecting the trancy beats to burst into the synthy shoegazeness, nor the heavily vocodered vocals. And that’s only track 1. ‘I am the...

Crisopa “Transhumante” Reviewed at Igloo Magazine

Mar 5, 2018 | Crisopa Reviews, Reviews

“In late January 2017, Crisopa (aka Madrid-based Santiago Lizón) took a splinter break from n5MD and released Transhumante, an extended 7-track digital album. His previous two titles on n5MD were vibrant shoegaze-electronics etched with fuzzy melodic treasures...

Crisopa “Transhumante” Reviewed at Norman Records

Mar 5, 2018 | Crisopa Reviews, Reviews

“Athens’ fairweathered Sound In Silence label has released some of the most kindly music of our last couple years, having slowly expanded their ambient roster outwards into beatwork and bravado. This release from Crisopa sees them break out of their cosy cocoon...

Hidden Shoal MixTape

Hidden Shoal · Hidden Shoal MixTape

Recent News

  • Moonchy & Tobias “Wild Eye” Out Now!
  • New Moonchy & Tobias Single – ‘Shangri La’
  • Erik Nilsson “Recollage (Reworked)” Release
  • New Apricot Rail Track and Upcoming Show
  • Willem Gator “The Encyclopedia of Failure” Out Now!

Latest Reviews

  • Willem Gator “Encyclopedia of Failure” Reviewed at Europa e Cultura Electronica
  • Kramies Self-Titled Album Reviewed at Neufutur
  • Kramies ‘4:44am’ Reviewed at Queen City Sounds and Art
  • Kramies ‘Ohio I’ll Be Fine’ Reviewed at Atwood Magazine
  • Kramies Self-Titled Album Reviewed at Vents Magazine
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