Excerpt: “A deceptively simple set of neo-classical instrumentals (there is spoken word on one track), featuring piano, atmospherics and heart-swelling orchestral arrangements, from north Wales’ Ian Hazeldine. There’s a stillness and glacial beauty about these tunes which inevitably bring existential matters to mind. The maritime pull of The siren, hopelessly lost, for example. Or The Gospel Pass, with a religious bearing brought on by a solemn church organ. The single Endlessly somehow draws a rumbling chord from a series of ineffable tones. An unexpected muted trumpet fanfare opens The door towards the dream, followed by a female soprano signalling the stars. The Reichian piano structure of A light from the heavens is gradually submerged under yearning cellos. Honestly, the fact that one man/the world can produce an album this gorgeous gives hope for the future of the human race.”

The Underground of Happiness