Slow Dancing Society

Slow Dancing Society has become an institution in the ambient scene, with each successive album holding true to a core sound while gracefully evolving. Drew Sullivan’s releases are neither by-the-book ambient nor exercises in structuralism, rather music that is birthed from emotion and feeling, then given form. Each song is a soundtrack to a moment; sonic photography painstakingly developed until its emotional hues are brought into focus. His latest EP, The Dusk Recital, is a delicious little side-step for the Slow Dancing Society project, as Sullivan employ more beats and overt ’90s dream-pop references.

So without further rambling, we ask Drew to reach into the bag and pull out three questions

Describe your musical career in 6 words or less

Hidden Shoal believed in my sound

What’s your most treasured item of musical gear?

Omnisphere by Spectrasonics. It is “THE” synth to have. I really don’t know what I’d do without that synth. A close second is my Fender Stratocaster. Oh and my Fender Bass VI…ok I can’t really name just one, but those 3 are the total foundation of the Slow Dancing Society sound.

What’s the best show you’ve ever been to?

There’s been a lot of great ones that are still with me today, but I’d have to say Marilyn Manson on the Mechanical Animals tour. This was at the height of his showmanship and I truly loved that album over all of this others as it had that 80’s sound before really anyone else was doing it.