Hidden Shoal News
Kramies Interview on Behind the Scene
Summon the Birds in This Week’s RTRFM Sound Selection

New Slow Dancing Society EP, “prologue: The Magic Lantern”

While Slow Dancing Society’s 2017 series of EPs navigated intimate human spaces, The Magic Lantern creates a more expansive musical environment. The 20-minute title track’s five movements ebb and flow between gaseous ambient exhalations and more propulsive, kosmische passages, always with its eyes on the stars. A spiritual successor to 2012’s Laterna Magica, ‘The Magic Lantern’ is followed by three superb additional tracks taken from 2017’s My Blue Heaven sessions. The EP precedes Slow Dancing Society’s first full-length for 2018, The Torchlight Parade.
“To a secret and hidden place where the past and present merge in a luminous cascade of sights and sounds which few can discern. How far can one artist and their craft pull you out of your own life? Listen to this album and decide that for yourself, only don’t do it hastily and don’t expect it all to hit you at once. This individual clearly revels in the sublime, no note is out of place, no hint of beauty given up rashly. Everything is conceived and composed to hit all those sweet spots in your head which you thought no one else could. It’s divine here, think I’ll stay a while.” – Santa Sangre on The Cogent Sea
prologue: The Magic Lantern, along with the entire Slow Dancing Society catalogue is available for licensing through Hidden Shoal. Head here for more info.
Markus Mehr’s “Dyschronia” in ACL’s Best of 2017

Kramies In Studio Performance on CPR Radio

Hidden Shoal Artists Featured in Scene Point Blank’s “Pass The Mic”
It’s time again for Scene Point Blank‘s excellent Pass The Mic feature, where artists and music industry types give their wrap up on 2017. Hidden Shoal’s own AWMA, Slow Dancing Society and Summon The Birds feature this year among a raft of other wonderful artists. Check it out here.Three Questions With Target Archery

Why are we telling you all this? Because we cornered Ambrose and asked him to pull three questions out of the bag!
What’s the best show you’ve ever been to?
While it’s hard to go past Sonic Youth playing Daydream Nation in full, it’d have to be Gersey at the Rosemount many years ago – they were an incredible live band, especially in a small venue.
Build your own dream supergroup.
Keys & Sounds – Stina
Bass Guitar – Simon Struthers
Drum Kit – Ben Gibbard (lead singer from Death Cab but he played drums on their second record & they are stunning)
Woodwind – Mayuka Juber
Guitars – Myself!
Singing – Waltz era Glenn Richards (Augie March)
What’s one of your favourite albums that’s unlikely to be featured on anyone else’s list of favourite albums, and why do you love it?
I’m going to go with They forgot it in people by Broken Social Scene. Theres so many layers and little parts of it where they’ve just pushed things to their limit – things that you don’t notice at first but the character of the record has a lot of thought behind it. Without setting out to be, it’s almost a summation of all the techniques and things that were good about mid 90’s experimental guitar music, but with a lot of energy and delicacy thrown in.
Fantastic Liminal Drifter Interview with Kylie Sturgess

Stream the interview via Kylie’s SoundCloud and be sure to check out Liminal Drifter’s releases here.
Chloe March “Blood-Red Spark” Out Now!

“a luminous voice, a smoky alto that unfurls like a plume of cigarette smoke, its velvety tone a sensual narcotic… it’s hard not to think of the mythological sirens who used their hypnotic voices to lure sailors ashore” – textura
In her fourth album, Blood-Red Spark, March continues her exploration of a rich musical seam in which songwriterly storytelling and imagistic soundscape meet. Beautiful ambient/electro-pop soundworlds of warm spaciousness and radiant sensuality are underpinned by a compelling pulse – a vital heartbeat of an album of emotional concealments and revealments, truth and trickery, loss, longing and desire.
March leads the listener through an immersive multi-layered world of melodic twists and unexpected harmonic shifts with the confident songcraft of a composer happily at home with her own distinctive musicality, occasionally reminiscent of Goldfrapp, C Duncan, The Cocteau Twins or David Sylvian, using her voice as intimate centre point and textural instrument. The single ‘Let It All In’ is at the heart of this intimacy, distilling the emotional magnetism that March brings to all her work into an intense shot of magic and liquid melancholy. Blood-Red Spark is further evidence of an artist gathering her musical forces and transforming them into shimmering gold.
Willem Gator’s “Locked-In Syndrome” Out Now!

“The result is an experience that is eminently danceable but deeply melancholic. It transmits hedonism and detachment. Electronic anthems scale the musical skies while probing the emotional lows.”” – Escafandrista on Locked In Syndrome
Across its concise 40-minute run-time, Locked-In Syndrome deploys its beats and synths for maximum impact, creating an eminently danceable yet deeply melancholic experience. Conveying the overwhelming experience of being at a hedonistic celebration and feeling profoundly detached and alone, these electronic paeans to dislocation scale the musical skies while plumbing the emotional lows.
Stretching out across six-plus minutes, tracks like ‘Umbrella Revolution’ and ‘AF 16’ have a deeply satisfying momentum, carrying the listener towards a shadowy, unknown destination. Indeed, for Willem Gator, the journey is the destination – a lonely ride through night-time streets, where bright lights promise much and deliver nothing… The album features stunning artwork by English collage artist and musician Ashley Reaks.
As with all Hidden Shoal releases, Willem Gator’s music is available for licensing. Contact us for more details.



