Moonchy & Tobias “Atmosfere” Reviewed at African Paper

(Translated via Google)

“Anyone who plays “Atmosfere” and is at least partially familiar with the previous work by Pat Moonchy and Todd Tobias could feel confused for a while and ask whether he or she may have sold out in the record cabinet. What echoes at you is far from shrill voice experiments in artful fantasy languages ​​and from raw psychedelics collaged according to original contrasts.

Instead, you listen to the nice guitar picking and mid-tempo drumming of a relaxed folk song that slowly turns into a subtle rock ballad. Even with slightly breathy singing, one becomes suspicious and initially thinks that Linda Perhacs (or Lisa Ekdahl, Charlotte Gainsbourg, Sarah June …) has learned Italian. Only gradually, in the hoarse breath of nostalgia of “La Sguerdo”, one recognizes Moonchy in the tremolation of her voice, which this time is only slightly used, which is cherished by silk ribbons and kept from breaking out. Now there is movement in the songs, which unfold their charisma more and more. It speaks of the lascivious funkyness of “Occasione”, of the varied singing, which in “In Tasca” lies over atmospheric ballad strumming and repeatedly tilts into eccentric inclines,from the hypnotic Appreggios of the fragile “Dall ‘Occhio”.

The atmosphere that is sung about and evoked in “Atmosfere” is of a sepia-colored nostalgia and is perfect for filling a stylishly furnished café – the effect would, however, be viral, which would give the cosiness a subtle refraction that would be barely perceptible to the inattentive. The friendly pop appeal has a double bottom that cannot be missing from two avant-garde artists who only seem to deny their roots.”

African Paper

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