
“They are bound to confound your expectations several times on any given album, and if you’re into that, they’re good enough at putting these weird songs together that they can pull you in with surprising ease.” – Pitchfork on The Caribbean
In Michael’s own words, “I wanted Washington Hebrew to take what I loved of Chicago footwork, soundtracks, Dilla, and broken beats, take existing sounds and music, sample them, chop them up (often beyond recognition), and create completely new hooks and songs out of the raw, pulpy material. Recorded largely (although not entirely) alone, I was able to work on the nine songs making up Washington Hebrew in the studio, at coffee shops, at work, helping the record radiate an intimate, sneaky, and slightly indulgent glow while emphasizing the glitchy, danceable beats that made me look really weird while I mixed tracks at Starbucks.”




