Hidden Shoal News
Kramies Sublime New Album “Goodbye Dreampop Troubadour” Out Now

Three years after his critically acclaimed self-titled LP which eared multiple “Album of the Year” accolades and saw Billboard christen him The Dreampop Troubadour Kramies pens a new chapter; a collection of songs steeped in wonder, drifting deeper into the otherworldly resims he’s come to inhabit. From that record, a new genre quietly emerged: Folklore Dreampop-a blend of dreamy textures, poetic myth, and spectral beauty.
Now, stepping away from the Dreampop Troubadour moniker, Kramies expands his creative world even further. Collaborating with Grammy-winning producer Mario McNulty (David Bowie), he conjures dusky, dreamlike landscapes filled with nostalgia and nighttime color. His upcoming album, Goodbye Dreampop Troubadour, is perhaps his most complete vision to date an album that wanders through eerle scenery, fairytale myths, and tender memories with haunting grace.
“Enchanting, folkloric, and unmistakably Kramies, ‘Goodbye Dreampop Troubadour’ is both a reckoning and a release – a lush, otherworldly odyssey through self-doubt, renewal, and the quiet beauty of letting go.” – Atwood Magazine on Goodbye Dreampop Troubadour
Brilliant New Single from Kramies – ‘Perfectly Dreadful’

“Perfectly Dreadful” is the haunting prelude to Kramies’ new record — a brief, 1-minute-50-second descent into a dreamworld that feels pulled from a lost Tim Burton score or hidden between the pages of a Brothers Grimm tale. Built around ghostly piano and swelling orchestral strings, the track is both eerie and beautiful, setting a spellbound tone. With its melancholic magic and cinematic textures, “Perfectly Dreadful” could easily live in the shadows of a Harry Potter soundtrack — a dark lullaby that opens the gates to the strange and enchanting world ahead.
Beautiful New Kramies Single “Hollywood Signs”

Three years after his critically acclaimed self-titled LP which eared multiple “Album of the Year” accolades and saw Billboard christen him The Dreampop Troubadour Kramies pens a new chapter; a collection of songs steeped in wonder, drifting deeper into the otherworldly resims he’s come to inhabit. From that record, a new genre quietly emerged: Folklore Dreampop-a blend of dreamy textures, poetic myth, and spectral beauty.
Now, stepping away from the Dreampop Troubadour moniker, Kramies expands his creative world even further. Collaborating with Grammy-winning producer Mario McNulty (David Bowie), he conjures dusky, dreamlike landscapes filled with nostalgia and nighttime color. His upcoming album, Goodbye Dreampop Troubadour, is perhaps his most complete vision to date an album that wanders through eerle scenery, fairytale myths, and tender memories with haunting grace.
Soothing, stirring, and subtly unsettling, this new work is the stuff of folklore and fantasy-music with a deeply touching human heart. It arrives like a story whispered in twilight: gentle but intense, beckoning us closer. Before we know it, we’re swept away into the mysterious world of Kramies once again.
Markus Mehr’s Sublime New Album “trans” Out Now!

trans plays with the idea of change, movement and overcoming. And although the departure for something new also means saying goodbye to the tried and tested, the 6 tracks do not sink into melancholy. There is a radiant power in the electro-acoustic pieces, which aurally explore the bipolar positions between digital awakening and analogue past.
Mehr implements the transformation processes that are evident in culture, society, politics, sexuality, language, etc., by alternating his compositional methods and tools. In a departure from his other works, he uses a conventional piano, which significantly characterises the static nature of the album in three pieces. Long drones form the antithesis to the concrete piano works and distance the album from neo-classical music. Phonographs, found sounds, field recordings – Mehr’s favourite instruments – remain present, but play a more restrained role (than usual). Sounds are also microscopically dissected in trans, granulated, crushed and enlarged, refined and reassembled, but rather form the framework for the respective track. And it is precisely these sound experiments that give the compositions their very own dramaturgy and surprising twists and turns. Like an author, Markus Mehr places his sound actors in a contained narrative over the course of 40 minutes.
New Single ‘form’ from Markus Mehr’s Forthcoming “trans” Album

trans plays with the idea of change, movement and overcoming. And although the departure for something new also means saying goodbye to the tried and tested, the 6 tracks do not sink into melancholy. There is a radiant power in the electro-acoustic pieces, which aurally explore the bipolar positions between digital awakening and analogue past.
Mehr implements the transformation processes that are evident in culture, society, politics, sexuality, language, etc., by alternating his compositional methods and tools. In a departure from his other works, he uses a conventional piano, which significantly characterises the static nature of the album in three pieces. Long drones form the antithesis to the concrete piano works and distance the album from neo-classical music. Phonographs, found sounds, field recordings – Mehr’s favourite instruments – remain present, but play a more restrained role (than usual). Sounds are also microscopically dissected in trans, granulated, crushed and enlarged, refined and reassembled, but rather form the framework for the respective track. And it is precisely these sound experiments that give the compositions their very own dramaturgy and surprising twists and turns. Like an author, Markus Mehr places his sound actors in a contained narrative over the course of 40 minutes.
Debut Single & Music Video by Low Point High

‘Aching for Sleep’ is the perfect introduction to the music of Low Point High. The track is steeped in lush, hypnagogic aural imagery that will appeal to anyone with an interest in the seminal Warp roster as it traverses it’s five minute runtime. Hazy ambient tones merge with synth-strings and found sounds as the shifting beat pulls everything inexorably forward. The song’s micro and macro call- and- response teases answers, but instead leaves the listener with an uneasy sense of unquenchable longing.
Low Point High is visual artist and musician Cam Merton, co-founder and manager of the Hidden Shoal label. Merton has played and recorded in several Perth-based experimental, noise-rock and dream-pop outfits since the late ‘90s, including CSR, Lake Disappointment, Silo and Glassacre. In a previous life he was also an established artist with national and international exhibitions and performances behind him. In recent years he has created a number of music videos for the Hidden Shoal roster, and is currently working on a number of other musical projects.
New Single ‘Fer’ from Markus Mehr

trans plays with the idea of change, movement and overcoming. And although the departure for something new also means saying goodbye to the tried and tested, the 6 tracks do not sink into melancholy. There is a radiant power in the electro-acoustic pieces, which aurally explore the bipolar positions between digital awakening and analogue past.
Mehr implements the transformation processes that are evident in culture, society, politics, sexuality, language, etc., by alternating his compositional methods and tools. In a departure from his other works, he uses a conventional piano, which significantly characterises the static nature of the album in three pieces. Long drones form the antithesis to the concrete piano works and distance the album from neo-classical music. Phonographs, found sounds, field recordings – Mehr’s favourite instruments – remain present, but play a more restrained role (than usual). Sounds are also microscopically dissected in trans, granulated, crushed and enlarged, refined and reassembled, but rather form the framework for the respective track. And it is precisely these sound experiments that give the compositions their very own dramaturgy and surprising twists and turns. Like an author, Markus Mehr places his sound actors in a contained narrative over the course of 40 minutes.
“Blue Mansions” – New Todd Tobias Album Out Now

Blue Mansions is available in digital and CD formats via BandCamp in conjunction with the wonderful Tiny Room Records label. The album can be streamed across all the usual services such as Spotify.
The music of Todd Tobias is available for licensing across tv, film, web and more. Contact us for more information.
New Single and Music Video from Markus Mehr – ‘Late’

trans plays with the idea of change, movement and overcoming. And although the departure for something new also means saying goodbye to the tried and tested, the 6 tracks do not sink into melancholy. There is a radiant power in the electro-acoustic pieces, which aurally explore the bipolar positions between digital awakening and analogue past.
Mehr implements the transformation processes that are evident in culture, society, politics, sexuality, language, etc., by alternating his compositional methods and tools. In a departure from his other works, he uses a conventional piano, which significantly characterises the static nature of the album in three pieces. Long drones form the antithesis to the concrete piano works and distance the album from neo-classical music. Phonographs, found sounds, field recordings – Mehr’s favourite instruments – remain present, but play a more restrained role (than usual). Sounds are also microscopically dissected in trans, granulated, crushed and enlarged, refined and reassembled, but rather form the framework for the respective track. And it is precisely these sound experiments that give the compositions their very own dramaturgy and surprising twists and turns. Like an author, Markus Mehr places his sound actors in a contained narrative over the course of 40 minutes.
Glanko’s Sumptuous New Album “V” Out Now!

Glanko’s fifth album,V, represents a significant shift in the artist’s sound. Over the course of nine tracks, the album explores themes of introspection, conscience, abandonment and hope. Musically, Glanko pushes towards more aggressive sounds than in previous works, embracing industrial and techno elements, layered with electric guitar, synths and ambient atmospheres. The album includes two vocal tracks along with a collaboration with Italian composer Gianvito Novielli.
Italian producer Glanko creates widescreen electronica that deserves to be played loud. Canyon-deep beatscapes are shot through with mesmerising synth melodies, wraithed in breathy atmospherics that send a shiver up the spine. Rarely is such intensity and power coupled with a lightness of touch, allowing tracks to seamlessly evolve into dizzying cinematic scenes.


