Hidden Shoal News

New Liminal Drifter Single – ‘They Came In A Spaceship’ Out Now

They Came in a SpaceshipHidden Shoal is excited to announce the release of the latest single, ‘They Came in a Spaceship’, from Liminal Drifter. Hot on the heels of last single, ‘Roll The Dice’, which is currently the number 1 single on the NACC Chill Chart!!! The track delivers another delicious taste of the forthcoming album Cowboy Pilgrim, due out 13th April 2026. The single is available to download via Bandcamp and stream on all the usual services. The music of Liminal Drifter is also available for licensing via Hidden Shoal (film, TV, web, games, etc).

“a beautifully choreographed snapshot of the artist’s knack for the surreal, fluid mechanics of mid-90s electronic music shaped with current-era finesse”– Igloo Mag on The Dreams

Cowboy Pilgrim unfolds like a slow-motion hallucination at the edge of the modern world: a dust-worn cowboy on a white horse descending from a hermit’s cave above the clouds, re-entering a civilisation that’s sped up, splintered, and blurred at the edges. Rather than telling a linear story, the album traces the collision between inner stillness and external chaos through chilled ambient electronica, hazy rhythms, and emotional afterimages. This is downtempo with a cosmic drift. Across its arc, chance replaces certainty, paradise arrives with a shadow, the dance floor becomes a modern ritual, and reality turns subtly surreal, not to resolve the confusion, but to sit with it. Cowboy Pilgrim is an invitation to ride alongside that uncertainty, staying present as everything shifts.

Monotonic “Heavy Metal” Out Now on Vinyl and Digital!

Monotonic-Heavy-MetalHidden Shoal is excited to announce the release of the brilliant debut album from Perth-based experimental psych outfit Monotonic. “Heavy Metal” is available now on vinyl and digital formats via BandCamp and ro stream on all the usual services. The music of Monotonic is available for licensing via Hidden Shoal (film, tv, web games etc). Check here for more details.

“For fans of psychedelic rock, experimental music and immersive albums, Heavy Metal is a must-listen. It’s bold, unfiltered and effortlessly cool—an album that demands to be experienced from start to finish.” – AAA Backstage

Monotonic was formed during the pandemic by veterans of Perth’s golden alt-rock era: Liam Coffey (Header, The Slow Beings), Allan Balmont (Ammonia), and Jack Lucas (Yummy Fur/Six Mile High). Reuniting decades after their respective bands made waves in the ’90s, the three longtime friends found a fresh creative spark in loose jam sessions that continued to evolve into something greater than intended. Jams turned into songs, and while there were no initial plans to record, they became so committed to the music they were creating that an album eventually became an inevitability.

The Lizard Point “In The Red Earth” – Vinyl and Digital Release

In The Red EarthHidden Shoal is excited to announce the release of In The Red Earth, the third album from transatlantic ambient experimental outfit The Lizard Point. The album is now available in digital and limited edition vinyl formats via Bandcamp and all streaming and digital services.

Named after the opening track of Brian Eno’s Ambient 4: On Land, The Lizard Point are a transatlantic instrumental duo Conor Devlin ([the] caseworker, Half Film) and Geoffrey Scott (Slowness), based in Lausanne, Switzerland and San Francisco. In The Red Earth was produced and mixed by Monte Vallier and The Lizard Point at Spillway Sound in upstate New York, and Ruminator Audio in San Francisco in 2025. The Lizard Point will be supporting the release with mini-tours in the U.S. and Europe.

The music of The Lizard Point is available for licensing via Hidden Shoal (film, tv, web games etc). Check here for more details.

The Lizard Point ‘Translated Accounts’ – New Single and Music Video

The Lizard Point - Translated AccountsHidden Shoal is excited to present the second single lifted from In The Red Earth, the forthcoming third album from transatlantic ambient experimental outfit The Lizard Point. ‘Translated Accounts’, follows on from first single ‘Håkan’s Drift’ and delivers another sublime slice of immersive ambient guitar work. The album will see digital and vinyl release on the 10th of March through Hidden Shoal. ‘Translated Accounts’ is available to download via BandCamp and its accompanying music video by Cam Merton can be viewed on YouTube. In The Red Earth is available now for limited edition vinyl and digital pre-order.

Named after the opening track of Brian Eno’s Ambient 4: On Land, The Lizard Point are a transatlantic instrumental duo Conor Devlin ([the] caseworker, Half Film) and Geoffrey Scott (Slowness), based in Lausanne, Switzerland and San Francisco. In The Red Earth was produced and mixed by Monte Vallier and The Lizard Point at Spillway Sound in upstate New York, and Ruminator Audio in San Francisco in 2025. The Lizard Point will be supporting the release with mini-tours in the U.S. and Europe.

The music of The Lizard Point is available for licensing via Hidden Shoal (film, tv, web games etc). Check here for more details.

New Liminal Drifter Single, ‘Roll The Dice’

Liminal Drifter - Roll The DiceHidden Shoal is excited to announce the release of the new single, ‘Roll The Dice’, from Liminal Drifter. Hot on the heels of a standout showing in the SBS Chill Chillest 100 (four tracks in the 2026 countdown, including the #3 spot with ‘Soothed by Summer’), ‘Roll The Dice’ is the first taste of the forthcoming album Cowboy Pilgrim, due out 13th April 2026. The single is available to download via Bandcamp and stream on all the usual services. The music of Liminal Drifter is also available for licensing via Hidden Shoal (film, TV, web, games, etc).

“a beautifully choreographed snapshot of the artist’s knack for the surreal, fluid mechanics of mid-90s electronic music shaped with current-era finesse” – Igloo Mag on The Dreams

Cowboy Pilgrim unfolds like a slow-motion hallucination at the edge of the modern world: a dust-worn cowboy on a white horse descending from a hermit’s cave above the clouds, re-entering a civilisation that’s sped up, splintered, and blurred at the edges. Rather than telling a linear story, the album traces the collision between inner stillness and external chaos through chilled ambient electronica, hazy rhythms, and emotional afterimages. This is downtempo with a cosmic drift. Across its arc, chance replaces certainty, paradise arrives with a shadow, the dance floor becomes a modern ritual, and reality turns subtly surreal, not to resolve the confusion, but to sit with it. Cowboy Pilgrim is an invitation to ride alongside that uncertainty, staying present as everything shifts.

New Single & Music Video from The Lizard Point – ‘Håkan’s Drift’

Håkan's DriftHidden Shoal is excited to present ‘Håkan’s Drift’, the first single lifted from In The Red Earth, the forthcoming third album from transatlantic ambient experimental outfit The Lizard Point. The album will see digital and vinyl release on the 10th of March through Hidden Shoal. ‘Håkan’s Drift’ is available to download via BandCamp and its accompanying music video by Cam Merton can be viewed on YouTube. In The Red Earth is available now for limited edition vinyl and digital pre-order.

Named after the opening track of Brian Eno’s Ambient 4: On Land, The Lizard Point are a transatlantic instrumental duo Conor Devlin ([the] caseworker, Half Film) and Geoffrey Scott (Slowness), based in Lausanne, Switzerland and San Francisco. In The Red Earth was produced and mixed by Monte Vallier and The Lizard Point at Spillway Sound in upstate New York, and Ruminator Audio in San Francisco in 2025. The Lizard Point will be supporting the release with mini-tours in the U.S. and Europe.

‘Håkan’s Drift’, the first single to be lifted from the album was inspired by Hernán Diaz’s novel In The Distance. The song, along with it’s accompanying music video, explores the fleeting moments of stillness and dusk-to-dawn beauty of a long empty drive.

The music of The Lizard Point is available for licensing via Hidden Shoal (film, tv, web games etc). Check here for more details.

Monotonic – ‘Lazers at Dawn’ New Single and Music Video

Lasers at DawnHidden Shoal is excited to announce the release of the new single from Perth-based experimental psych outfit Monotonic. ‘Lazers at Dawn’ is the second single lifted from their forthcoming album “Heavy Metal”, due out March 27th. The single is accompanied by a delirious music video by Perth-based video artist and Hidden Shoal head, Cam Merton. The track is available to download via BandCamp and stream on all the usual services. The music of Monotonic is available for licensing via Hidden Shoal (film, tv, web games etc). Check here for more details.

“With ‘Heavy Metal,’ Monotonic appear less interested in reviving psychedelic tradition than in interrogating it — dragging its ghosts into the present, distorting their shapes, and letting the feedback hum where certainty once lived. “Lazers At Dawn” is both a continuation and a deepening of that mission: trance-inducing, unruly, and unapologetically strange.” – It’s Psychedelic Baby

Monotonic was formed during the pandemic by veterans of Perth’s golden alt-rock era: Liam Coffey (Header, The Slow Beings), Allan Balmont (Ammonia), and Jack Lucas (Yummy Fur/Six Mile High). Reuniting decades after their respective bands made waves in the ’90s, the three longtime friends found a fresh creative spark in loose jam sessions that continued to evolve into something greater than intended. Jams turned into songs, and while there were no initial plans to record, they became so committed to the music they were creating that an album eventually became an inevitability.

Erik Nilsson “Other Beginnings” Remixes

Other BeginningsFollowing on from the reworking of his Hearing Things and The Imperfect Sense albums, Erik Nilsson’ is back with more musical wonder. Other Beginnings delivers two stunning remixes, one from each album. ‘A Tap At The Window’ and ‘Ex Nihilo’ are beautiful deconstructed and brought to another life in a light that only Nilsson can shine. Other Beginnings is available on all streaming services and Erik Nilsson’s Bandcamp.

“Between the gentle warmth of the acoustic arpeggios of the initial “A Tap At The Window” and the progressive post-rock rhythmic crescendo that seals the over fourteen minutes of the final “Once, The Held You In My Arms Forever”, extends a sound microcosm in which nocturnal synthetic stratifications alternate with jazzy piano cadences and with an almost infinite series of variations of times and timbres,” – Music Will Not Save You

Erik Nilsson’s music is available for licensing through Hidden Shoal. Head here for more details.

Erik Nilsson “The Imperfect Sense (Reworked)” Out Now

The Imperfect Tense (Reworked)Hot on the heels of the reworking of Erik Nilsson’s 2015 release Hearing Things, we are delighted to announce the release of The Imperfect Sense (Reworked). This time, the Swedish experimentalist trains his expert lens on his brilliant 2018 album The Imperfect Sense, and manages to extract all the nuances and fine details that make that album so special. As with his recent Hearing Things (Reworked), Nilsson has been hard at work remixing and remastering the original cuts, and the result is stunning. The Imperfect Sense (Reworked) is available on all streaming services and Erik Nilsson’s Bandcamp. Erik Nilsson’s music is available for licensing through Hidden Shoal. Head here for more details.

“Between the gentle warmth of the acoustic arpeggios of the initial “A Tap At The Window” and the progressive post-rock rhythmic crescendo that seals the over fourteen minutes of the final “Once, The Held You In My Arms Forever”, extends a sound microcosm in which nocturnal synthetic stratifications alternate with jazzy piano cadences and with an almost infinite series of variations of times and timbres,” – Music Will Not Save You

From the cascading acoustic guitar loops of ‘A Tap At The Window’ through to the emotive found-sound, post-rock crescendo of closer ‘Once, I Held You In My Arms Forever’, The Imperfect Tense triangulates a musical landscape of potent melodic terrain, full of evocative details and melancholic shadows. Nilsson expertly interweaves the electronic with the acoustic, precision-crafting each track with an auteur’s ear for dynamics and space, resulting in an instrumental suite that is as accessible as it is experimental.

Stay tuned for more from Erik as we head towards 2026.

The Chantic Debut Single & Launch

The Chantic - I Love You Because You're No OneHidden Shoal is proud to present the debut single, ‘I Love You Because You’re No One’, by Perth-based psych prog-pop trio, The Chantic. The track is lifted from their debut EP, “The Fate of the Singer”, due out in 2026. The track is available to download via BandCamp and to stream now on SoundCloud. Check out the music video for the track here. The music of The Chantic is available for licensing via Hidden Shoal (film, tv, web games etc). Check here for more details.

The single will be launched at Chinoiserie Fine Arts in Perth, Western Australia on Saturday 22nd November. Blending beats, pop, psych and poetry par excellence, The Chantic bring a smile to your face and a wriggle to your hips. Supported by DJ Pex and carpark projects, come for the art, stay for the music. Check out the prints made specially for the event! Chinoiserie Fine Arts, 381 Beaufort St, Highgate WA 6000.

The Chantic began when long-time musical collaborators Harry Swain and Stu Medley were joined by Craig Hallsworth, who brought lyrics and vocal parts to their instrumental compositions. Initially a recording project where members worked remotely from each other, The Chantic have evolved into a live act where Stu on guitar and synthesizer, Harry on bass and synthesizer and Craig on vocals and guitar perform to backing tracks featuring drums and percussion, additional musical accompaniment and atmospheric sounds.

The result is a rhythmically and harmonically nuanced space or dimension (The Chantic) out of which emerges the song: the embodiment and affirmation of a liminal existence. Each is only a song, with its own version of radical holiness. And it’s catchy, too.