Hidden Shoal News
New Liminal Drifter Single – ‘They Came In A Spaceship’ Out Now

“a beautifully choreographed snapshot of the artist’s knack for the surreal, fluid mechanics of mid-90s electronic music shaped with current-era finesse”– Igloo Mag on The Dreams
Cowboy Pilgrim unfolds like a slow-motion hallucination at the edge of the modern world: a dust-worn cowboy on a white horse descending from a hermit’s cave above the clouds, re-entering a civilisation that’s sped up, splintered, and blurred at the edges. Rather than telling a linear story, the album traces the collision between inner stillness and external chaos through chilled ambient electronica, hazy rhythms, and emotional afterimages. This is downtempo with a cosmic drift. Across its arc, chance replaces certainty, paradise arrives with a shadow, the dance floor becomes a modern ritual, and reality turns subtly surreal, not to resolve the confusion, but to sit with it. Cowboy Pilgrim is an invitation to ride alongside that uncertainty, staying present as everything shifts.
Monotonic “Heavy Metal” Out Now on Vinyl and Digital!

“For fans of psychedelic rock, experimental music and immersive albums, Heavy Metal is a must-listen. It’s bold, unfiltered and effortlessly cool—an album that demands to be experienced from start to finish.” – AAA Backstage
Monotonic was formed during the pandemic by veterans of Perth’s golden alt-rock era: Liam Coffey (Header, The Slow Beings), Allan Balmont (Ammonia), and Jack Lucas (Yummy Fur/Six Mile High). Reuniting decades after their respective bands made waves in the ’90s, the three longtime friends found a fresh creative spark in loose jam sessions that continued to evolve into something greater than intended. Jams turned into songs, and while there were no initial plans to record, they became so committed to the music they were creating that an album eventually became an inevitability.
The Lizard Point “In The Red Earth” – Vinyl and Digital Release

Named after the opening track of Brian Eno’s Ambient 4: On Land, The Lizard Point are a transatlantic instrumental duo Conor Devlin ([the] caseworker, Half Film) and Geoffrey Scott (Slowness), based in Lausanne, Switzerland and San Francisco. In The Red Earth was produced and mixed by Monte Vallier and The Lizard Point at Spillway Sound in upstate New York, and Ruminator Audio in San Francisco in 2025. The Lizard Point will be supporting the release with mini-tours in the U.S. and Europe.
The music of The Lizard Point is available for licensing via Hidden Shoal (film, tv, web games etc). Check here for more details.
The Lizard Point ‘Translated Accounts’ – New Single and Music Video

Named after the opening track of Brian Eno’s Ambient 4: On Land, The Lizard Point are a transatlantic instrumental duo Conor Devlin ([the] caseworker, Half Film) and Geoffrey Scott (Slowness), based in Lausanne, Switzerland and San Francisco. In The Red Earth was produced and mixed by Monte Vallier and The Lizard Point at Spillway Sound in upstate New York, and Ruminator Audio in San Francisco in 2025. The Lizard Point will be supporting the release with mini-tours in the U.S. and Europe.
The music of The Lizard Point is available for licensing via Hidden Shoal (film, tv, web games etc). Check here for more details.
New Liminal Drifter Single, ‘Roll The Dice’

“a beautifully choreographed snapshot of the artist’s knack for the surreal, fluid mechanics of mid-90s electronic music shaped with current-era finesse” – Igloo Mag on The Dreams
Cowboy Pilgrim unfolds like a slow-motion hallucination at the edge of the modern world: a dust-worn cowboy on a white horse descending from a hermit’s cave above the clouds, re-entering a civilisation that’s sped up, splintered, and blurred at the edges. Rather than telling a linear story, the album traces the collision between inner stillness and external chaos through chilled ambient electronica, hazy rhythms, and emotional afterimages. This is downtempo with a cosmic drift. Across its arc, chance replaces certainty, paradise arrives with a shadow, the dance floor becomes a modern ritual, and reality turns subtly surreal, not to resolve the confusion, but to sit with it. Cowboy Pilgrim is an invitation to ride alongside that uncertainty, staying present as everything shifts.
New Single & Music Video from The Lizard Point – ‘Håkan’s Drift’

Named after the opening track of Brian Eno’s Ambient 4: On Land, The Lizard Point are a transatlantic instrumental duo Conor Devlin ([the] caseworker, Half Film) and Geoffrey Scott (Slowness), based in Lausanne, Switzerland and San Francisco. In The Red Earth was produced and mixed by Monte Vallier and The Lizard Point at Spillway Sound in upstate New York, and Ruminator Audio in San Francisco in 2025. The Lizard Point will be supporting the release with mini-tours in the U.S. and Europe.
‘Håkan’s Drift’, the first single to be lifted from the album was inspired by Hernán Diaz’s novel In The Distance. The song, along with it’s accompanying music video, explores the fleeting moments of stillness and dusk-to-dawn beauty of a long empty drive.
The music of The Lizard Point is available for licensing via Hidden Shoal (film, tv, web games etc). Check here for more details.
Monotonic – ‘Lazers at Dawn’ New Single and Music Video

“With ‘Heavy Metal,’ Monotonic appear less interested in reviving psychedelic tradition than in interrogating it — dragging its ghosts into the present, distorting their shapes, and letting the feedback hum where certainty once lived. “Lazers At Dawn” is both a continuation and a deepening of that mission: trance-inducing, unruly, and unapologetically strange.” – It’s Psychedelic Baby
Monotonic was formed during the pandemic by veterans of Perth’s golden alt-rock era: Liam Coffey (Header, The Slow Beings), Allan Balmont (Ammonia), and Jack Lucas (Yummy Fur/Six Mile High). Reuniting decades after their respective bands made waves in the ’90s, the three longtime friends found a fresh creative spark in loose jam sessions that continued to evolve into something greater than intended. Jams turned into songs, and while there were no initial plans to record, they became so committed to the music they were creating that an album eventually became an inevitability.
Erik Nilsson “Other Beginnings” Remixes

“Between the gentle warmth of the acoustic arpeggios of the initial “A Tap At The Window” and the progressive post-rock rhythmic crescendo that seals the over fourteen minutes of the final “Once, The Held You In My Arms Forever”, extends a sound microcosm in which nocturnal synthetic stratifications alternate with jazzy piano cadences and with an almost infinite series of variations of times and timbres,” – Music Will Not Save You
Erik Nilsson’s music is available for licensing through Hidden Shoal. Head here for more details.
Erik Nilsson “The Imperfect Sense (Reworked)” Out Now

“Between the gentle warmth of the acoustic arpeggios of the initial “A Tap At The Window” and the progressive post-rock rhythmic crescendo that seals the over fourteen minutes of the final “Once, The Held You In My Arms Forever”, extends a sound microcosm in which nocturnal synthetic stratifications alternate with jazzy piano cadences and with an almost infinite series of variations of times and timbres,” – Music Will Not Save You
From the cascading acoustic guitar loops of ‘A Tap At The Window’ through to the emotive found-sound, post-rock crescendo of closer ‘Once, I Held You In My Arms Forever’, The Imperfect Tense triangulates a musical landscape of potent melodic terrain, full of evocative details and melancholic shadows. Nilsson expertly interweaves the electronic with the acoustic, precision-crafting each track with an auteur’s ear for dynamics and space, resulting in an instrumental suite that is as accessible as it is experimental.
Stay tuned for more from Erik as we head towards 2026.
The Chantic Debut Single & Launch

The single will be launched at Chinoiserie Fine Arts in Perth, Western Australia on Saturday 22nd November. Blending beats, pop, psych and poetry par excellence, The Chantic bring a smile to your face and a wriggle to your hips. Supported by DJ Pex and carpark projects, come for the art, stay for the music. Check out the prints made specially for the event! Chinoiserie Fine Arts, 381 Beaufort St, Highgate WA 6000.
The Chantic began when long-time musical collaborators Harry Swain and Stu Medley were joined by Craig Hallsworth, who brought lyrics and vocal parts to their instrumental compositions. Initially a recording project where members worked remotely from each other, The Chantic have evolved into a live act where Stu on guitar and synthesizer, Harry on bass and synthesizer and Craig on vocals and guitar perform to backing tracks featuring drums and percussion, additional musical accompaniment and atmospheric sounds.
The result is a rhythmically and harmonically nuanced space or dimension (The Chantic) out of which emerges the song: the embodiment and affirmation of a liminal existence. Each is only a song, with its own version of radical holiness. And it’s catchy, too.


